It’s not often that I talk about mainstream movies. Trust me, I’ve been choking down the urge to write about Blade Runner and Encino Man.
But in this case, it’s relevant. As someone who’s written his share of porn scripts, I firmly believe the best adult movies are ones that can only be told with graphic sex. The sex should be a natural progression of the story, not the only reason for the story.
There are very few movies that fit this criteria. Fewer still that were produced by the adult studios in the Valley and to be fair, nothing I’ve ever written satisfies that ideal.
Nagisa Oshima’s In the Realm of the Senses is the first movie I was exposed to that made me aware of films that told intelligent adult story telling that didn’t shy away from sex or use it a gimmick. Produced in 1976 by a United Nations of financial backers, which I’m told by XBiz/XFanz’s Tod Hunter included the Shah of Iran. It’s also one of the latest movies added to the Criterion Collection, the company that invented the DVD special edition and pioneered bonus features like cast and crew commentaries.
It’s the true story of sexual obsession between and its downward spiral — how a woman and a man’s purely physical relationship, fully explored, leads to their demise. The sex is graphic and the ending (cut from the Japanese print, and still censored in the country today) is not for the squeamish.
The female lead of the cast, Eiko Matsuda, was shunned in Japanese film and theater after the release of the movie. While AV idols are now celebrated despite coming from the adult side of the entertainment business, Matsuda was exiled into obscurity. It could be that Matsuda’s true life counterpart, Sada Abe, made Lorena Bobbit look rational. Or, as an essay on Criterion’s website points out, Matsuda seemed to be “doing it all for foreigners” in their uncut versions of the movie.
For any enthusiast of Asian erotica, In the Realm of the Senses is a must see and while it’s not an easy movie to watch (particularly in the end), it is satisfying in its execution as art and as an important Japanese film.
IN THE REALM OF THE SENSES: TWO WOMEN
View the trailer here.